H5 Handy Recorder

The H5 provides four tracks of simultaneous recording and it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. With dual combo XLR/TRS inputs that can handle both mic and line level signals, the flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.

X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise.  The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

In addition to standard transport controls (stop, play/pause, record, rewind, and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.

Outputs
The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors, and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.

A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Power
Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320 kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96 kHz WAV files.

Recording
The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz* (96 kHz sampling rate available in stereo mode only). They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.

The Auto-Record function allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net (44.1 and 48 kHz WAV files only). It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain.

Effects
The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner, as well as playback looping, pitch change, and variable playback speed (without pitch change) to help with phrase training, and a pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.